A NYPD officer imprisons and tortures an admitted cop-killer, but finds the tables turned when his victim refuses to break and in fact urges more punishment.

Set in the late 1980s, this critically acclaimed indie classic from 1992 portrays a gritty side of gay life in Los Angeles. Ethan (Paul Marius), a 27-year-old photographer, believes he has no need for love or commitments, and is living his life amidst one-night stands. Ethan is coaxed by his “best buddy” Dennis (Jason Adams) into attending a reunion of college friends and lovers at a Palm Springs hideaway. What is supposed to be a restful vacation turns into a round of hard drinking and cruel sexual games. By the end of the “vacation,” Ethan feels a need for new friends and returns to Los Angeles. Confronting his troubled family life, he calls his father - who doesn’t want anything to do with him. In the end, Ethan realizes that he can make his own “family” with friends who will accept each other without judgments.

Bernhard, an actress-comedienne whose brassy humor attracts a cult-like following, here offers a semiconfessional view of her life’s landscape. Childhood memories of her father, a doctor, and her mother, an artist, are warmly rendered in scenes of the Jewish family amiably accommodating itself to the Christmas season, and of the obligatory communal vacations joined by colorful relatives. The abrupt transition to a flamboyant denizen of “downtowns,” Los Angeles or New York, to an existence as a character in the lives of marginal people, is evoked in sharply satirical terms, in a melange of humorous fact and fiction, monologues akin to those that make Bernhard an icon of pop culture.