Festival favourite Ferzan Ozpetek (Ignorant Fairies; Saturn in Opposition) returns to with a light-hearted tale of family obligation and repressed desire that is as playful and sunny as a weekend on the Italian Riviera. Tommaso is the youngest son of the well-to-do and ultra-conservative Cantone family, who own a pasta factory in Puglia. He returns home for an important family dinner at which his father plans to hand over the business to Tommaso and his brother Antonio. But Tommaso has a comfortable life in Rome as an aspiring writer and a steady relationship with his boyfriend Marcoa life he has kept secret from his family. He has no desire to move back to his hometown or to give up his writing career, so he plans to announce to his family at the dinner that he is gay. That evening, however, just as Tomasso begins his speech, he is upstaged by his brother, who, to everyones surprise, reveals his own secret! Antonio is promptly disowned and their father Vincenzo collapses from a heart attack. With the family in a state of turmoil, Tommaso reluctantly steps in to run the factory with Alba, the daughter of their new business partner. The comedy follows Tommaso as he balances running the firm, consoling his outraged family and keeping his homosexuality a secret in case the news altogether kills his stricken father. A surprise visit from some of Tomassos friends, including boyfriend Marco, uncovers some well-hidden family secrets and helps to change some long-held beliefs among the family. Loose Cannons is a witty, penetrating drama, beautifully acted by its ensemble cast. The film takes a lighthearted approach, revealing each family member’s quirks in a story that meanders through an emotional terrain of unspoken feelings that are played out against a backdrop of sumptuous beauty. (Description courtesy of Inside Out: The Toronto LGBT Film Festival.)

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In June 2003, the Episcopal Church in New Hampshire came under fire when it became the first to elect an openly gay man, Gene Robinson, as a bishop. Since that flash point, Robinson has been at the center of the contentious battle for LGBT people to receive full acceptance in the faith. Director Macky Alston (whose film, Family Name, won the Freedom of Expression Award at the 1997 Sundance Film Festival) follows Robinson into the breach in the struggle for equality. While resolute in his calling, Robinson grows increasingly critical of the central role that religious institutions have played in fostering homophobia and hatred. He is pointedly not invited to a once-a-decade convocation of bishops and courts controversy by attending. His presence the next year for the Episcopal General Convention underscores the impact of its impending decisions about the church’s stance on the consecration of future gay bishops and the performance of same-sex marriage ceremonies. While Robinson never intended to be the poster boy for gay bishops, Love Free or Die demonstrates that he has become a beacon of hope for millions. His history-making church provides a model for other communities of faith to treat all people with dignity and respect, regardless of their sexuality. (Description courtesy of the Sundance Film Festival.) Winner, U.S. Documentary Special Jury Prize for An Agent of Change, Sundance Film Festival.

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In celebration of Mother’s day we are screening films that deal with LGBT parenting issues, trying to be a parent, or just being a parent of LGBT children. We’ll be presenting Alison Segar’s film And I Am Me, an honest portrayal of the relationship between a lesbian mother and her adopted, Ethiopian son, as well as Same Difference, Catherine Opie and Lisa Udelson’s short film about two artists raising young sons with same sex partners.

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