Shot in and around Boston, Gen Silent explores the complex issue of LGBT elderly who are sometimes forced back into the closet when they try to obtain long-term/health care. Filmmaker Stu Maddux (Bob and Jack's 52-Year Adventure, Trip to Hell and Back) asked six LGBT seniors if they will hide their lives to survive. They put a face on what experts in the film call an epidemic: gay, lesbian, bisexual or transgender seniors so afraid of discrimination, or worse, in long-term/health care that many go back into the closet. And, their surprising decisions are captured through intimate access to their day-to-day lives over the course of a year in Boston, Massachusetts. Unlike any previous LGBT film about aging, Gen Silent startlingly discovers how oppression in the years before Stonewall now leaves many elders not just afraid but dangerously isolated. Many of our greatest generation are dying prematurely because they don't ask for help and have too few people in their lives to keep an eye on them. Gen Silent brings these issues into the open for the first time. The film shows the wide range in quality of paid caregivers --from those who are specifically trained to make LGBT seniors feel safe, to the other end of the spectrum, where LGBT elders face discrimination, neglect or abuse. (Who would have expected caregivers to try to religiously convert these elders at their bedside!) As we journey through the challenges that these men and women face, we also see reasons for hope as each subject crosses paths with a small but growing group of impassioned professionals trying to wake up the long-term and healthcare industries to their plight.

The announcement of filmmaker Joe Wilson's wedding to another man ignites a firestorm of controversy in his small hometown. Drawn back by a plea for help from a gay teen, Wilson takes viewers on an exhilarating and often surprising journey through love, hate, and understanding in rural America.

Sadie’s art is her photography. Nico’s art is her life. Together they explore Britain’s 60’s mod culture of music, fashion, drugs and vintage scooters in contemporary Los Angeles. Sadie observes the world through the lens of her 35 mm camera, but everything changes when she meets Nico, the new “mod” girl who was born with Milroy’s disease that causes her to have abnormal swelling in her foot. Nico doesn’t hide her disability, in fact she loves the spotlight. Sadie is drawn into Nico’s thrilling world of aesthetics where Sadie learns about herself and who she really is.