Robin is a social worker in Oakland on the verge of losing her job for getting too close to her clients; she’s African-American and grew up in the neighborhood. She falls for Brooklyn, a White Frenchwoman, who’s a thief with dreams of running a motorcycle repair shop. Robin is not only willing to be Brooklyn’s lover, she’s willing to join in the robberies because she sees community projects that need money: she becomes an anonymous Robin Hood. When her personal life takes a sharp turn and she wants to do one last job, Brooklyn’s jealousy flares. Is there any way to resolve these conflicts of love, family, finance, and violence?

Interviews and performance footage are used to provide an overview of the women’s music scene.

In this dreamlike film, a nameless father and his son, Aleksei, live together in an apartment in St. Petersburg. Aleksei’s mother has died and consequently the two have a very close relationship. When Aleksei acquires a girlfriend, she refuses to take a back seat to his bond with his dad, and breaks up with him. Aleksei is also experiencing nightmares, dreading separation from his father to be a part of the military as his father was.