Partial inspiration for Zippy the Pinhead and eulogized by the NY Times as “a national treasure,” George Kuchar, with his twin brother, Mike, practically invented the campy, no-budget, anti-professional, tasteless, gender-bending underground style later embraced by John Waters and others. He made over 500 films in his career. Tonight we feature two of his best: The Devil’s Cleavage is a farcical send-up of Douglas Sirk-style melodramas, made “as if Sam Fuller and Sternberg had collaborated in shooting a script by Tennessee Williams and Russ Meyer” (Chuck Kleinhans, Jump Cut).

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New girl Cassie and outcast Maggie are easily the most awkward girls in high school. Together, they decide that the way to win the hearts of the cute boys and the popular girls is to win the school talent show. But rivals Heather, Other Heather, and their popular boyfriends Brett and Dirk will stop at nothing to keep our heroes the laughing stock of the school. It's going to take makeovers, courage, and maybe even a little rapping to beat them in true 80s style.

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The New Black is a documentary that tells the story of how the African-American community is grappling with the gay rights issue in light of the recent gay marriage movement and the fight over civil rights. The film documents activists, families, and clergy on both sides of the campaign to legalize gay marriage and examines homophobia in the black community’s institutional pillar—the black church and reveals the Christian right wing’s strategy of exploiting this phenomenon in order to pursue an anti-gay political agenda.

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