Woman’s Lake takes places in the magical and largely undiscovered landscapes of Brandenburg, the hinterland around Berlin, which is crisscrossed by Europe’s largest network of interconnected lakes. A glorious long weekend in the waning days of summer. The protagonist, Rosa, is a guardian of the lakes and waterways in the magical hinterland north of Berlin. Besides professional fishing, she is in charge of protecting the environment and issuing f ishing licenses, therefore she is a thorn in the side of amateur anglers and tourists. Rosa’s lover Kirsten, a successful architect, lives in a lakeside bungalow, and together the couple play host to two brash and self-confident young students on a weekend break from Berlin. The four women’s intense sexual attraction is fueled by their profoundly different hopes, dreams and worldviews.

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Joins us for a disarmingly sweet tale of two Thai students who must decide whether they are brave enough to live lesbian lives. The first feature film in Thailand to be promoted as a lesbian film, Yes or No? has been an impressive success. Five years in the making, this disarmingly sweet film has been shown in cinemas across Thailand, made a modest profit at the box office and gained a best director nomination at the Thai equivalent to the Oscars. The plot focuses on the forthright Pie and more gentle Kim who are thrown together at university halls of residence. As Pie begins to let go of the prejudices she has inherited from her mother and Kim comes to terms with her tom (butch) identity, the pair become close friends and have to consider whether they are brave enough to be more than that. (Description courtesy of Nazmia Jamal, London Lesbian and Gay Film Festival.)

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When Troy (Murray Bartlett) returns to Los Angeles after a multiyear foray in Barcelona, he contacts Jonathan (Daniel Dugan), the object of his desire during a short-lived, intense summer fling f ive years earlier. Their still-smoldering connection is obvious from the first, but Jonathan tries to fight his desires while his live-in boyfriend Raoul (Adrian Gonzalez) approaches the situation with a hands-off approach. Meanwhile, Troy’s inability to make a commitment one way or the other complicates matters. Lovingly shot and languidly told, August uses the perspectives of all three men and a muddled timeline to tell their stories, successfully mixing Rashomon with a dash of Memento to give a unique twist to the romantic-triangle genre. Writer and director Eldar Rapaport. (Description courtesy of Seattle International Film Festival.)

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