Richard Fontaine and Bob Miser started the current exploration of the male nude in film and photography. The two shared ideas props and models and reinvented some of the sexual icons that we all still recognise today. The gladiator the sailor, the cowboy… Starting with posing-straps and graduating to nudes their “art studies” enlisted the talents of up-and-coming actors and bodybuilders. This film recalls that era.

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In his twilight, a lonely gay man reflects on his life and the three loves of his long-lost youth one woman and two men. Forced into early retirement by a heart attack, he wanders aimlessly through the graffiti-marred streets of his New York neighborhood. Familiar haunts trigger flashbacks of happy and not-so happy times.

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Bullfighting, music, medicine, change, and homoerotic possibilities mix in this study of friendship. Francisco is a bullfighter on his way up, so focused even sex doesn’t hold his interest. After a minor road accident, he meets a doctor, Manuel, who attends a bullfight, leaving early, retching. His wife, who is also his partner in a string quartet, worries about him: Manuel has a history of breakdown. Manuel, for his part, hates bullfighting and the memories it brings of Franco’s Spain. His harsh views undermine Francisco’s focus. He accompanies the young fighter to Spain for an important corrida. Will Francisco succeed? And what becomes of this friendship?

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