Documentary filmmaker, Phoebe Hart, comes clean on her journey of self-discovery to embrace her future and reconcile the past shame and family secrecy surrounding her intersex condition. Despite her mother’s outright refusal to be in the film, Phoebe decides she must push on with her quest to resolve her life story and connect with other intersex people on camera. With the help of her sister Bonnie and support from her partner James, she hits the open road and reflects on her youth. Other shorts to be announced.

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J.J. is an aspiring M.C. who’s taken London’s outlaw urban music scene by storm. He’s got the skills, the rhymes, and the drive. But he may run into a few hurdles on his reach for greatness; he’s white, he’s from the sticks, and he’s gay. J.J.’s resolved to come out onstage at the Urban Slam Finals, bringing his boyfriend Orlando along as moral support. While J.J. is onstage, the frustrated competing band, Illmanics, take out their rage on Orlando, beating him so badly that he suffers permanent brain damage. A victim reconciliation program brings J.J. face to face with Orlando’s attackers. (Description courtesy of Trista Kendall, Frameline International LGBT Film Festival.)

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In June 2003, the Episcopal Church in New Hampshire came under fire when it became the first to elect an openly gay man, Gene Robinson, as a bishop. Since that flash point, Robinson has been at the center of the contentious battle for LGBT people to receive full acceptance in the faith. Director Macky Alston (whose film, Family Name, won the Freedom of Expression Award at the 1997 Sundance Film Festival) follows Robinson into the breach in the struggle for equality. While resolute in his calling, Robinson grows increasingly critical of the central role that religious institutions have played in fostering homophobia and hatred. He is pointedly not invited to a once-a-decade convocation of bishops and courts controversy by attending. His presence the next year for the Episcopal General Convention underscores the impact of its impending decisions about the church’s stance on the consecration of future gay bishops and the performance of same-sex marriage ceremonies. While Robinson never intended to be the poster boy for gay bishops, Love Free or Die demonstrates that he has become a beacon of hope for millions. His history-making church provides a model for other communities of faith to treat all people with dignity and respect, regardless of their sexuality. (Description courtesy of the Sundance Film Festival.) Winner, U.S. Documentary Special Jury Prize for An Agent of Change, Sundance Film Festival.

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