After five years in prison, Ellen is ‘’out’’ and ready to come to terms with her past. She begins by looking for Katrin, who was present the night of the crime. Hearing Katrin’s voice on the radio and learning that she is a DJ at a local nightclub, Ellen decides to go and wait for her at the door. At first, Katrin is frightened and does not want anything to do with Ellen. However Ellen persists. Flashbacks fill in the history of Katrin’s relationship with an abusive husband and her intimate relationship with Ellen. It soon becomes clear that Ellen’s devotion for Katrin is no less potent than before. Gradually Katrin yields to Ellen’s wishes. Before long, past events catch up with them an unexpected sting in the tail reveals a major twist.

A young woman tries to ease herself out of the closet without terrifying her parents in the process in this comedy-drama. The year is 1969, and Sacha (Marie Bunel) is a young Belgian woman living in Canada. Sacha’s family sent her to Canada to attend medical school, but she hasn’t had the heart to tell them that she’s dropped out of college to devote herself to her new interest in photography. Sacha also hasn’t told her parents that she’s a lesbian – and that she has a new girlfriend, Odile (Macha Grenon). Odile is tired of being kept a secret, and insists that Sacha tell her parents the truth before American astronauts land on the moon in a few months – or else. Sacha flies home to Belgium for a visit, planning to come clean to her folks, but she discovers they’ve arranged a huge welcome home party for the entire neighborhood. With everyone so excited that the soon-to-be-doctor is paying them a visit, Sacha wonders when the time will be right to give her family the news.

With a rare gift for unflinching impartiality, director Arthur Dong delves into the lives and attitudes of fundamentalist families who actively oppose homosexuality, despite having gay offspring themselves.