Growing up queer in a straight world isn’t easy, but these filmmakers show you how to navigate it.

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Festival favourite Ferzan Ozpetek (Ignorant Fairies; Saturn in Opposition) returns to with a light-hearted tale of family obligation and repressed desire that is as playful and sunny as a weekend on the Italian Riviera. Tommaso is the youngest son of the well-to-do and ultra-conservative Cantone family, who own a pasta factory in Puglia. He returns home for an important family dinner at which his father plans to hand over the business to Tommaso and his brother Antonio. But Tommaso has a comfortable life in Rome as an aspiring writer and a steady relationship with his boyfriend Marcoa life he has kept secret from his family. He has no desire to move back to his hometown or to give up his writing career, so he plans to announce to his family at the dinner that he is gay. That evening, however, just as Tomasso begins his speech, he is upstaged by his brother, who, to everyones surprise, reveals his own secret! Antonio is promptly disowned and their father Vincenzo collapses from a heart attack. With the family in a state of turmoil, Tommaso reluctantly steps in to run the factory with Alba, the daughter of their new business partner. The comedy follows Tommaso as he balances running the firm, consoling his outraged family and keeping his homosexuality a secret in case the news altogether kills his stricken father. A surprise visit from some of Tomassos friends, including boyfriend Marco, uncovers some well-hidden family secrets and helps to change some long-held beliefs among the family. Loose Cannons is a witty, penetrating drama, beautifully acted by its ensemble cast. The film takes a lighthearted approach, revealing each family member’s quirks in a story that meanders through an emotional terrain of unspoken feelings that are played out against a backdrop of sumptuous beauty. (Description courtesy of Inside Out: The Toronto LGBT Film Festival.)

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Hold the skepticism—the smart and funny group of people profiled in this fast-moving documentary have heard it all before. Meet Swank Ivy who makes YouTube videos debunking common beliefs; or David Jay, the movement’s poster boy and regular on television talk shows, including The View. (A)sexual documents the growth of this newly organized sexual minority while raising provocative questions about queer inclusiveness and the boundaries of “normal” sexual desire. In 2002 Jay created a website, asexuality.org; today, there are some 26,000 members of AVEN (Asexual Visibility and Education Network). Members discuss coming out as an asexual, their struggles for acceptance, and the various subgroups within the community (to cuddle or not to cuddle?). Along with David Jay and other members of the asexual community, the film features academic researchers who speculate that there are over three million asexuals in the US. Sexperts Carol Queen and Dan Savage weigh in on the f ledgling asexual movement and its place in queerdom. Is it possible that in today’s sexualized society, lack of desire is perversion’s f inal frontier? (Description courtesy of Monica Nolan, Frameline International LGBT Film Festival)

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