Where do you go if you grew up unpopular and pimply, having unrequited crushes on boys in the rugby team and wishing to be transported to the exotic yet often papier-mache worlds of English science fiction serials? How do you cope if you are both a geek, and gay? Outland is a situation comedy from the producers of Summer Heights High and John Safran’s Race Relations that revolves around a gay science-fiction club. It is a comedy about belonging, and how everyone searches to find a place where they fit in.  Episodes 1-3: Bondage & Bionics. Open about their sexuality but not so much about their geekdom, the gang outs one of their own on a first date, stumbles into a complicated BDSM scene, and faces the Khan-like wrath of their club’s former leader. (Description courtesy of the Seattle Lesbian and Gay Film Festival.)

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According to Audre Lorde’s own description of herself she was: ‘a lesbian, a feminist, black, a poet, mother and activist’. In the 1980s Dagmar Schultz, who at the time was lecturing at the John F. Kennedy Institute at Berlin’s Freie Universität, invited Lorde to Berlin as a visiting professor. This move was to have an enduring influence, for Lorde soon became co-founder and mentor of the AfroGerman movement. In her documentary portrait, Dagmar Schultz distills hitherto unpublished and often very personal material of Lorde that portrays her among her Berlin women friends, fellowtravellers and students, many of whom she encouraged to begin writing.

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From the acclaimed director of Married Life and Forty Shades of Blue comes a haunting, subtle tale of a contemporary gay relationship. Debuting at Sundance and winning the Teddy Award at the 2012 Berlinale, Keep the Lights On is a visually stunning film that “breaks new ground in contemporary American gay cinema” (The Hollywood Reporter). The deeply personal story charts the highs and lows of an emotionally and sexually charged relationship between two men. It’s 1997 and New York City is in a state of intense flux when documentary filmmaker Erik Rothman (Thure Lindhardt) first meets Paul Lucy (Zachary Booth), a handsome but closeted lawyer in the publishing field. What begins as a highly charged first encounter soon becomes something much more, and a relationship quickly develops. Told over the course of ten years, this is a film about sex, friendship, intimacy and most of all, love.

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