US PREMIERE

SHORT FILM PROGRAM

WORLD PREMIERE

FESTIVAL SPOTLIGHT

THROWBACK FROM 

Queen Tut

Saturday

Apr 13, 2024

@

2:30 pm

Wicked Queer 40

With in person.
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Director
Year
Run Time
min
Country
Language
PROGRAM Time
99
minutes
CONTENT WARNING:
This film is presented in with English subtitles.
This film has it all, the fight against gentrification, tough love from Trans elder, a fight to discover oneself, a bit of thrown shade and a few thrown shoes.
Shawn Cotter
Programmer
Wicked Queer is proud to co-present this program with
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SPOTLIGHT
US PREMIERE
WORLD PREMIERE
FROM 2023
Special Guest
Short Film Program

Chuck Chuck Baby

FREE

Thu, Apr 11 @ 9:00 pm
Brattle Theater
in person
What happens when love dares to exist in a small town, late in life and in a small town at a chicken processing plant? This musical dramedy will get you rooting for our two leads against some flying feathers and a few wet hens.
Helen (Louise Brealey), a reserved, gentle woman, is slowly collapsing under the weight of her inexplicable life. She lives with her torpid husband and his much younger girlfriend (and their new colicky baby), working nights at the local chicken processing plant. There are two things that keep her hanging on: music, and her dear elderly mother-in-law Gwen (Sorcha Cusack), whom she cares for. This dismal state of affairs is interrupted when Joanne (Annabel Scholey), a former neighbour (and Helen’s schoolgirl crush), arrives back in town after her father’s death. His house holds difficult childhood memories for Joanne, of events that many on the street remember, but since she’s been away, she’s become unapologetic in facing down the small-town malice that’s slung at her. What begins as a casual meeting between the two women swiftly turns to friendship and then to love. Joanne is beguiled by Helen’s sweet naiveté, and Helen is in awe of Joanne’s courage and confidence. Their burgeoning relationship is threatened when Helen’s home life is further upended, accompanied by turbulence within the tight-knit group of women who work with her on the factory floor. Soon, Helen and Joanne each face a difficult, perhaps impossible, emotional choice about their futures.
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