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Wicked Queer 33

Shorts Spotlight: España 🇪🇸

With in person.
Sat, Apr 08 @ 2:30 pm
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Director
Year
Run Time
min
Country
Language
PROGRAM Time
minutes
CONTENT WARNING:
This film is presented in with English subtitles.
Wicked Queer received an abundance of fantastic films made on the Iberian penisula. This inspired us to create a program dedicated to show the beauty that exists there. The shorts in this program will feature films with the themes of LGBTQ surrogacy, bisexuality, death, love, and plenty more.
Wicked Queer is proud to co-present this program with
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This short film program includes the following films:

FAW

CONTENT WARNING:
Frida receives a call from an ex-boyfriend . She goes with the hope of reviving what they left months ago, but the game turns out to be something totally unexpected for her. Dir. Dany Campos. 22 min. Spain. 2016.
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The Second First Date

CONTENT WARNING:
Laura, who ruins everything, tries to set up the remake of the terrible first date that had with Tina, her childhood crush. Dir. Raquel Barrera. 10 min. Spain. 2015.
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My Brother

CONTENT WARNING:
MY BROTHER tells the story of a young Spaniard, Alberto, who have fled as far as possible from his conservative family. He lives in Berlin with his partner, and works as an illustrator of comics. But an unexpected event forces him to return to his suffocating Castilian village and confront not only their own origins but lies who created to survive. To save his guilty he will try to change the future of their tragedy through fiction, as best he can do, drawing. It is a story that takes us from a cosmopolitan, artistic and free world into a deep and hypocritical Spain, that still remains depressed despite the achievements of our society. Dir. Miguel Lafuente. 22 min. Spain. 2015.
Find on Letterboxd ↗

Butterflies

CONTENT WARNING:
Sivia is a 17 year old girl whose mother have just decided to hire a tutor for her, Irene. She’s the one who will show her the way to understand herself and decide who she is going to be, avoiding prejudices and stereotypes. Dir. Angel Villaverde. 17 min. Spain. 2016.
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The Orchid

CONTENT WARNING:
Sometimes the biggest conversations are forced onto voicemail. A surprising father-son tale played across an answering machine. Dir. Ferran Navarro-Beltrán Viñuales. 3 min. Spain. 2016.
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Por un Beso

CONTENT WARNING:
Tomás and Andrea are standing opposite at a zebra crossing in Gran Vía (Madrid) Their eyes meet in the distance and they start smiling to each other. What they don’t know yet is that fleeting encounter will mark their destiny. Dir. David Velduque. 5 min. Spain. 2016.
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Alejandra

CONTENT WARNING:
"Birth, love, death. Three milestones in a person’s life, or perhaps in every one’s." Alejandra is a film about the beauty and power of three unvarnished moments in a person´s life. Narrated with neither dialogue nor music. Dir. Alberto Gastesi. 7 min. Spain. 2016.
Find on Letterboxd ↗

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SPOTLIGHT
US PREMIERE
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FROM 2016
Special Guest
Short Film Program

Small Talk

FREE

Sun, Apr 09 @ 12:00 pm
Museum of Fine Arts, Boston
in person
"My mother and I have lived like strangers under one roof for decades. The only exchanges between us are the meals she cooks for me since we never talk to each other. One day, I finally summon up the courage to sit her down and make her talk. But am I ready to hear what she has to say?" Anu is a tomboy. Although she was married off at a young age – as was customary in Taiwan in the 1970s – and had two children, she quickly divorced her violent husband and brought up her daughters alone. Since then her only relationships have been with women who, like her, earn a living as professional mourners at funerals. One of her daughters is filmmaker Hui-chen Huang. It’s considered taboo in Chinese culture to question a mother’s unconditional love, and yet this is exactly the topic of Huang’s intimate portrait. Mother and daughter set off on a journey together into the past during which Anu is confronted with questions that have tormented her daughter for years. In a series of long shots the two women discuss such topics as trust, abuse and cognisance, and yet most of these discussions end in painful silence. Shifting focus in order to plumb the depths of the depicted room, the director attempts to understand her mother by also talking to her mother’s siblings and ex-lovers. In doing so she paints a picture of changing living conditions for three generations of women in Taiwan.
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