US PREMIERE

SHORT FILM PROGRAM

WORLD PREMIERE

FESTIVAL SPOTLIGHT

THROWBACK FROM 

Shorts Spotlight: España 🇪🇸

Saturday

Apr 8, 2017

@

2:30 pm

Wicked Queer 33

With in person.
Director
Year
Run Time
min
Country
Language
PROGRAM Time
minutes
CONTENT WARNING:
This film is presented in with English subtitles.
Wicked Queer received an abundance of fantastic films made on the Iberian penisula. This inspired us to create a program dedicated to show the beauty that exists there. The shorts in this program will feature films with the themes of LGBTQ surrogacy, bisexuality, death, love, and plenty more.
Wicked Queer is proud to co-present this program with
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Presented with...

Program includes...

This short film program includes the following films:

FAW

CONTENT WARNING:
Frida receives a call from an ex-boyfriend . She goes with the hope of reviving what they left months ago, but the game turns out to be something totally unexpected for her. Dir. Dany Campos. 22 min. Spain. 2016.

The Second First Date

CONTENT WARNING:
Laura, who ruins everything, tries to set up the remake of the terrible first date that had with Tina, her childhood crush. Dir. Raquel Barrera. 10 min. Spain. 2015.

My Brother

CONTENT WARNING:
MY BROTHER tells the story of a young Spaniard, Alberto, who have fled as far as possible from his conservative family. He lives in Berlin with his partner, and works as an illustrator of comics. But an unexpected event forces him to return to his suffocating Castilian village and confront not only their own origins but lies who created to survive. To save his guilty he will try to change the future of their tragedy through fiction, as best he can do, drawing. It is a story that takes us from a cosmopolitan, artistic and free world into a deep and hypocritical Spain, that still remains depressed despite the achievements of our society. Dir. Miguel Lafuente. 22 min. Spain. 2015.

Butterflies

CONTENT WARNING:
Sivia is a 17 year old girl whose mother have just decided to hire a tutor for her, Irene. She’s the one who will show her the way to understand herself and decide who she is going to be, avoiding prejudices and stereotypes. Dir. Angel Villaverde. 17 min. Spain. 2016.

The Orchid

CONTENT WARNING:
Sometimes the biggest conversations are forced onto voicemail. A surprising father-son tale played across an answering machine. Dir. Ferran Navarro-Beltrán Viñuales. 3 min. Spain. 2016.

Por un Beso

CONTENT WARNING:
Tomás and Andrea are standing opposite at a zebra crossing in Gran Vía (Madrid) Their eyes meet in the distance and they start smiling to each other. What they don’t know yet is that fleeting encounter will mark their destiny. Dir. David Velduque. 5 min. Spain. 2016.

Alejandra

CONTENT WARNING:
"Birth, love, death. Three milestones in a person’s life, or perhaps in every one’s." Alejandra is a film about the beauty and power of three unvarnished moments in a person´s life. Narrated with neither dialogue nor music. Dir. Alberto Gastesi. 7 min. Spain. 2016.

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SPOTLIGHT
US PREMIERE
WORLD PREMIERE
FROM 2016
Special Guest
Short Film Program

AWOL

FREE

Thu, Apr 06 @ 11:00 pm
Brattle Theater
in person
Recent high school grad Joey (Lola Kirke, Mozart in the Jungle and Mistress America) is scooping ice cream at the local fair when she meets Rayna (Breeda Wool, UnREAL), a leggy blonde in Daisy Dukes who likes drinking and flirting, and who has a weakness for “them tomboys,” as her grandmother calls them. Rayna takes Joey home along with some ice cream, and soon Joey is head-over-heels in love and lust—even after she discovers that the older woman has a couple of kids and a trucker husband named Roy. Based on the award-winning short film of the same name, this story of star-crossed love provides a nuanced depiction of working-class life in rural America. Director Deb Shoval gets the details right, from Joey’s series of dead-end jobs to the car on blocks outside Rayna’s trailer house. The film finds gritty beauty in the scuffed basements, bars, malls, and meadows where Joey and her friends work and play. It observes the gradations of class within Joey’s circle: Joey’s sister looks down on Rayna as a welfare-check-collecting freeloader, and Joey’s mother desperately wants Joey to join the army, her one shot at college. Tensions mount as Rayna and Joey’s relationship moves from summertime fling to something more serious. While the pair are creative about setting up clandestine meetings—in a barn, the front seat of a pickup, and, most memorably, a tent—they have a harder time imagining a life together. “Would you go into the army if you were rich?” asks a college-going lesbian friend of Joey. “Probably not,” she answers laconically. In this movie, the price of same-gender love is steepest for those who can least afford it. Desc. courtesy of Frameline: The San Francisco International LGBTQ Film Festival.
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