The years-long friendship between two pre-teen boys in a small Icelandic village is threatened when they strike up romantic relationships with a pair of local girls, in the affecting and beautifully crafted debut feature from Gudmundur Arnar Gudmundsson. In a small village in rural Iceland, Thor and Christian are best friends whose home lives are unsatisfactory, to say the least. Thor is ruthlessly mocked by his elder sisters, while his mother can't be bothered to hide her frustration at having to sacrifice her pleasure for the sake of her children. While Thor suffers from absentee parenting, Christian's drunken and abusive father is, unfortunately for him, all too present. When the two friends strike up romantic relationships with a pair of girls, the events that follow threaten to destroy the longest and most meaningful relationship either has ever had. Evincing a real feeling for how kids relate to one another, Heartstone also offers a powerful portrait of the limits of small-town life. While Thor and Christian's relationship takes centre stage, Guðmundsson also skillfully integrates a wide range of supporting characters (from a possibly psychotic local bully to the seedy clerk at the local diner/ bar, whose crass insensitivity reaches epic levels) and casts a cold eye on the boys' parents, whose privation and boredom have left them ill-equipped to fulfill their roles as protectors and nurturers. Well-crafted and very affecting, Heartstone is the finest debut by an Icelandic director since Rúnar Rúnarsson's Volcano. Desc. courtesy of the Toronto International Film Festival.

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Aram, an Iranian-Armenian trans man living in the U.S. since childhood, returns to Armenia to meet his girlfriend’s conservative family. Over the course of the day-long journey, Aram’s brother helps him prepare for the meeting, while also coming to terms with Aram’s transition. Written and directed by Pouria Heidary Oureh, this quiet and introspective film beautifully illustrates the bittersweetness of reconnecting with a culture that may not be accepting of who you have become. (description courtesy Outfest: Fusion Film Festival)

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After his teenage gay son starts secretly cross-dressing and suffers a violent attack, JUAN, a withdrawn manager at a mannequin factory struggles between paying his son's exorbitant medical bills and his last attempt at becoming partners with his boss. As he runs into dead-ends and unexpected betrayals, he'll discover the world he knew was waiting to be violent with him too. Juan has made too many mistakes, but his son can still be saved.

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