The French Library

Upon agreeing to be the brand ambassador for a famous cognac celebrating their bicentennial, novelist Stéphane Belcourt returns to his hometown for the first time in many years. Once there, he meets his first love’s son,Lucas. Memories come rushing back to him: irrepressible attraction, bodies becoming onein the heat of desire, a passion that can never be revealed… His first love’s name was Thomas. They were 17.

Jacques is an older writer from Paris. Arthur is a young student in Rennes. They instantly fall in love. But they'll have to face rejection and sickness to keep it that way.

Leo is 22 and sells his body on the street for a bit of cash. The men come and go, and he stays right here - longing for love. He doesn't know what the future will bring. He hits the road. His heart is pounding.

Invited to present his first feature film « My life with James Dean » in Normandy, the young director Géraud Champreux has no idea this film tour is about to change his life. From wild stampedes to woeful screenings, from trawler trips to drunken evenings, Géraud ends up finding inspiration in this unlikely town at the end of the earth.

In Paris in the early 1990s, a group of activists goes to battle for those stricken with HIV/AIDS, taking on sluggish government agencies and major pharmaceutical companies in bold, invasive actions. The organization is ACT UP, and its members, many of them gay and HIV-positive, embrace their mission with a literal life-or-death urgency. Amid rallies, protests, fierce debates and ecstatic dance parties, the newcomer Nathan (Valois) falls in love with Sean (Biscayart), the group’s radical firebrand, and their passion sparks against the shadow of mortality as the activists fight for a breakthrough. Simultaneously a period-piece, a heartbreaking love story, a medical drama, and an activist procedural, BPM is one of the most emotionally gripping films of the year. Undeniably powerful in its ability to connect with the viewer on multiple levels, Campillo doesn’t shy away from the messy details of life, sex, death, or parliamentary procedure but he marries the bad times to transcendent moments of cinematic bliss.