Carlos is spending the summer in the country with his family in order to help out with things. Perhaps he won’t even be returning to the capital, as economic prospects are hardly rosy there either. Extremadura on the other hand, sparsely populated and for a long time one of the most neglected regions in Europe, is experiencing a tentative upturn. Tourism and modernisation rub shoulders with almost archaic customs and a conservative, mostly elderly population here. Sleepless Knights depicts all this in casual, unobtrusive fashion, in images that have at times a truly otherworldly beauty. The central theme is the love story between the newly returned Carlos and the young policeman Juan. “You don’t look like you’re from here,” remarks Juan when they meet. “I’m not from here,“ replies Carlos, “I live in Madrid.” Whether to be from here or elsewhere is a decision that many here have to make. Extremadura, Madrid, maybe even Munich? This uncertainty suffuses their love story with a peculiar sense of tension before the backdrop of a seemingly relaxed, uneventful summer. It is only the old men striding through the austere landscape in their strange knight costumes who remain blissfully untroubled.

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Set in a small town on the Belgian coast in the late 1960s and 70s, adolescent introverted dreamer Pim grows up accustomed to neglect from his selfish mother Yvette. Pim eventually finds succor at the home of Yvette’s co-worker Marcella where he heroworships her older son, Gino. Friendship grows into love when Gino, cautioning Pim to secrecy, supplies the besotted boy’s first sexual experiences. But when Gino begins a relationship with a French girl, jealous Pim focuses his wistful romantic fantasies on Zoltan, the hunky itinerant fun-fair worker who comes to board at his house. Winner: Alice in the City Award, Rome Film Festival; FIPRESCI Award and Best Feature Debut, Montreal Film Festival. (Description courtesy of Palm Spring International Film Festival.)

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A beautifully told love story of what happens when one woman finally follows her heart. Mia and Frida meet for the first time at their respective parents’ engagement party. As their eyes meet over the champagne toast, both women recognise a deep attraction for each other. But standing in their way is Tim, Mia’s long term boyfriend and business partner, who has just asked Mia to marry him. Thrown together by circumstance, Mia finds it hard to resist acting on her desires for the beautiful and openly gay Frida. Although she insists it was just a one-time thing, she is drawn to the other woman as strongly as Frida is drawn to her. Realising the love and acceptance she experiences with Frida is what she truly wants in life, Mia’s actions have the potential to turn everyone’s lives upside down. How far will she go to keep the woman of her dreams? A beautiful and sensual film told elegantly by Keining with strong performances by all involved. (Description courtesy of Emma Smart, BFI London Lesbian and Gay Film Festival.)

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