Pim lives in a run-down house in a dead-end street somewhere on the Flanders coast, together with his mother Yvette Bulteel. Life here smells of cold French fries, cheap cigarettes, vermouth and stale beer. As a kid, Pim dreams of a better life, imagining princesses and beauty queens. But when Pim turns sixteen, he begins dreaming of Gino, the handsome boy next door, instead.

After a lifetime of hiding, Chely Wright becomes the first commercial country music singer to come out as gay, shattering cultural stereotypes within Nashville, per conservative heartland family and, most importantly, within herself. With unprecedented access over a two-year period, including her private video diaries, the film layers Chely’s rise to fame while hiding in the late 90’s with the execution of her coming out plan, culminating in the exciting moment when she steps into the media glare to reveal she is gay. The film shows both the devastation of internalized homophobia and the transformational power of living an authentic life. The film also documents the conflicting responses from Nashville, the heartland and the LGBT community as Chely Wright prepares for an unknown future.