Got it Bad for the Wrong Girl? From the director of the festival circuit hit Hannah Free comes Jamie and Jessie Are Not Together, a romantic musical comedy that tells the story of two queer girls whose codependent, loyal friendship is fraught with erotic tension. Jamie is moving from Chicago to Brooklyn with hopes of becoming a Broadway actress. Her best friend Jessica is bummed because she thinks she’s in love with Jamie. As moving day gets closer, Jessica tries to make Jamie jealous by dating other women, but Jessica’s plan backfires in a way she could never imagine. Within this world of love and lust, Jamie and Jessie must figure out how to grow together, or how to grow apart. “Jamie and Jessie Are Not Together is a sweet, appealing musical comedy,” Roger Ebert.

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A refreshingly realistic take on teenage life, Jitters follows Icelandic teenager Gabriel on a trip to England, where he has a life-changing encounter with the rebellious and freethinking Marcus. As Gabriel reconnects with his tight-knit circle of friends back home, his confusion about his sexual identity is brought to the fore when tragedy befalls the group, forcing them to re-evaluate their fragile relationships to each other and to their families. Jitters has been awarded the Don Quixote Award at the Kristiansand International Children’s Film Festival as well as being selected as the opening film in the youth section.

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Carlos is spending the summer in the country with his family in order to help out with things. Perhaps he won’t even be returning to the capital, as economic prospects are hardly rosy there either. Extremadura on the other hand, sparsely populated and for a long time one of the most neglected regions in Europe, is experiencing a tentative upturn. Tourism and modernisation rub shoulders with almost archaic customs and a conservative, mostly elderly population here. Sleepless Knights depicts all this in casual, unobtrusive fashion, in images that have at times a truly otherworldly beauty. The central theme is the love story between the newly returned Carlos and the young policeman Juan. “You don’t look like you’re from here,” remarks Juan when they meet. “I’m not from here,“ replies Carlos, “I live in Madrid.” Whether to be from here or elsewhere is a decision that many here have to make. Extremadura, Madrid, maybe even Munich? This uncertainty suffuses their love story with a peculiar sense of tension before the backdrop of a seemingly relaxed, uneventful summer. It is only the old men striding through the austere landscape in their strange knight costumes who remain blissfully untroubled.

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