Zenne Dancer is inspired by the true characters and stories of Zenne Can and Ahmet Yildiz, who was murdered by his father July 18, 2008 in Istanbul. It is the contemporary story of three unlikely friends: Ahmet, a hyper-masculine gay (bear); Can, a male belly dancer (Zenne); and Daniel, a German photo-journalist. One day they meet Daniel, a German photojournalist newly arrived in Istanbul. The three of them forge a friendship and Daniel and Ahmet grow even closer, as a relationship begins to blossom between them. Soon, Ahmet’s hyper conservative family, suspicious and fearful of Ahmet`s sexual orientation, has hires a man to spy on him When Ahmet’s family discovers Ahmet’s plans to leave the country, they decide to defend their family honor. Zenne Dancer is an honest and unflinching look at living opening gay in Turkey, confronted by a systemic, institutionalized and culturally embedded homophobia.

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Director Thom Fitzgerald (The Wild Dogs; The Hanging Garden) evokes virtuoso performances from Oscar-winning actresses Olympia Dukakis and Brenda Fricker in this uproarious dramedy about two women – lovers for 31 years – who must go on the run in order to stay together. Fitzgerald’s film is especially timely against the backdrop of the current marriage battle in Maine taking place this summer. Dukakis plays Stella, an antagonistic, foul-mouthed old bull dyke who lives with her long-time lover– the near-blind and slightly dotty Dot (Fricker)–in their bucolic home by the sea. When Dot’s neurotic granddaughter Molly shows up, announcing that she’s putting Dot in an old folks home, Stella throws her out, giving her an earful in the process. Not to be put off, Molly returns with a policeman and takes Dot away, leaving Stella bereft, but not beaten. Stella soon breaks her out of the home, and the two head for Canada to get married, picking up a young hitchhiker on the way. Thus begins an alternately poignant and riotous comedy that has much to say about the true nature of love and commitment.

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Sheldon Larry’s audacious, raunchy and big-hearted musical—with songs by Beyonce’s music director Kim Burse and choreography by Beyonce’s dance master Frank Gatson Jr.—takes us into the fabulously funky world of voguing. (Remember the documentary Paris is Burning?) Here the setting is contemporary downtown L.A. Our hunky, homeless hero Brad , discarded by his homophobic mom, falls in with the members of the House of Eminence, ruled by the stern aging diva Queef Latina, who keeps a careful, loving watch over her makeshift family of runaways and throwaways. When two of her crew fall for Brad, the Queef is royally unamused. High flying and low down, Leave it on the Floor is a one of a kind celebration—a gay African-American musical about f inding your true family. (Description courtesy of the LA Film Festival.)

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