Marlon Riggs, with assistance from other gay Black men, especially poet Essex Hemphill, celebrates Black men loving Black men as a revolutionary act. The film intercuts footage of Hemphill reciting his poetry, Riggs telling the story of his growing up, scenes of men in social intercourse and dance, and various comic riffs, including a visit to the “Institute of Snap!thology,” where men take lessons in how to snap their fingers: the sling snap, the point snap, the diva snap.

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Bullfighting, music, medicine, change, and homoerotic possibilities mix in this study of friendship. Francisco is a bullfighter on his way up, so focused even sex doesn’t hold his interest. After a minor road accident, he meets a doctor, Manuel, who attends a bullfight, leaving early, retching. His wife, who is also his partner in a string quartet, worries about him: Manuel has a history of breakdown. Manuel, for his part, hates bullfighting and the memories it brings of Franco’s Spain. His harsh views undermine Francisco’s focus. He accompanies the young fighter to Spain for an important corrida. Will Francisco succeed? And what becomes of this friendship?

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