The film shows the secret, yet open lives of a group of Pakistani sexual minorities, raising questions about trans‐gender activism, religion, underground gay life, social acceptance and collective familial customs of trans‐genders in urban Pakistan. The film follow Neeli Rana: a trans‐gender activist, whose courage and persistence made the apex court of Pakistan to grant basic civil rights in favor of “the third gender”. Kami: a fearless and flamboyant boy, who dares to speak about his out gay life criticizing those who live with a secret. Waseem: a veteran dancing boy, who struggles with his sexuality and chooses to denounce it due to familial pressure and Jenny: a transgendered and a recently castrated college student who bitterly regrets her transition.

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Three amazing films that deal with living with HIV/AIDS.

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On February 12, 2008, in Oxnard, California, eighth‐grade student Brandon McInerney shot his classmate Larry King twice in the back of the head during first period. When Larry died two days later, his murder shocked the nation. Was this a hate crime, one perpetrated by a budding neo‐Nazi whose masculinity was threatened by an effeminate gay kid who may have had a crush on him? Or was there even more to it? Looking beyond all the copious news coverage of this tragic event, Valentine Road tells the story of two victims: the deceased and the murderer. With keen insight, the film connects the human wreckage of Larry’s and Brandon’s troubled lives—both physically abused, both from broken homes, and both searching for a sense of belonging. Filmmaker Marta Cunningham puts a human face on a critical issue challenging communities everywhere. Namely, how do we help kids like Brandon and Larry before tragedy happens? Haunting, infuriating, and powerful, Valentine Road shakes us to our core as it calls to question our very notion of justice.

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