Boston LGBT Film Festival 2013

May 2 - 12, 2013

Jury Award Winners

from Boston LGBT Film Festival 2013
No items found.

Jury Honorable Mention

from Boston LGBT Film Festival 2013
No items found.

Audience Awards

from Boston LGBT Film Festival 2013
No items found.

Best in Show Shorts

from Boston LGBT Film Festival 2013
No items found.

All Feature Films

from Boston LGBT Film Festival 2013
SPOTLIGHT
US PREMIERE
WORLD PREMIERE
FROM 2011

A Map for a Talk

in person
Spanish
Chile
2011
In Roberta's dream, she is trudging through the streets of Santiago, Chile carrying her bed on her back, having lost everything. In reality, she has a young son; an ex—the boy's father—who still adores her; a girlfriend, Javiera, who operates a “post pornography” website; and among other family members, a mother, Ana, whose disapproval she's come to expect. When she comes out to her mom, the older woman's reaction is predictably negative, which only encourages Roberta to bring her mother and her girlfriend together on a day‐long sailing trip. Trapped together on the open water, the three women have no choice but to talk to one another, even as they discover just how impossible communication sometimes is. Gorgeously shot, briefly erotic, writer/director Constanza Fernández's intimate drama touches on many things, including the challenges of coming out in a repressive society, the politics of sexual representation, and Chile's dark history and the tragic legacy of its “desaparecidos.” Mostly it is about the difficulty of relationships, whether between lovers or parent and child; how easy it is to hear but how hard it is to listen; and how difficult it is to understand and be understood. Roberta opens a Pandora's box with this voyage, as the woman who demands honesty from her lover and her mother finds out how hard it is to be honest, even with herself.
An intimate play evolving around three main characters: an adult woman, her mother and her female lover. Two days in their lives occur in two opposing setting, everyday life in the demanding metropolis of Santiago and a sailboat trip cruising a beautiful bay. The three character remain trapped in a claustrophobic confrontation. The film dialogs with ‘Knife in the water’ from the side of women, an intense character drama with many involuntary humorous scenes. The eternal, never completed quest of seeing and recognizing the other as they are or, at least, as they want to be seen.
 min total program
SPOTLIGHT
US PREMIERE
WORLD PREMIERE
FROM 2013

Born This Way

with I've Only Just Begun

in person
French and English
USA
2013
Like everywhere else in the world, gays and lesbians in Cameroon seek refuge in the city. The two young gay men in this film are crazy about Rihanna and Lady Gaga, who has been a gay icon since her hit song ‘Born this way’. But the tolerance Lady Gaga sings about is just a dream for them. In their country, homosexual relations are subject to punishment of up to five years in prison, and it is almost impossible to come out to your own family. This film describes both the impossible and the possible. The filmmakers’ unobtrusive proximity to their protagonists has yielded conversations in which their interlocutors discuss their longing for a love life they are forbidden to have. Alice Nkom is a lawyer and human rights activist fighting to protect the rights of gays and lesbians. Thanks to her, there is quiet hope and small niches can be discerned where there is something akin to a life not based upon self‐ denial. After Call me Kuchu, which documented the situation for homosexuals in Uganda and won a Teddy Award in 2012, Born This Way makes it clear that the worldwide struggle for tolerance and equality still has a long way to go. NEW ENGLAND PREMIERE
Born This Way is a portrait of the underground gay and lesbian community in Cameroon. It follows Cedric and Gertrude, two young Cameroonians, as they move between a secret, supportive LGBT community and an outside culture that, though intensely homophobic, is in transition toward greater acceptance.
 min total program
SPOTLIGHT
US PREMIERE
WORLD PREMIERE
FROM 2013

I Am Divine

Director Jeffrey Schwarz and Mink Stole in person
English
USA
2013
I AM DIVINE is the story of Divine, aka Harris Glenn Milstead, from his humble beginnings as an overweight, teased Baltimore youth to internationally recognized drag superstar through his collaboration with filmmaker John Waters. Spitting in the face of the status quos of body image, gender identity, sexuality, and preconceived notions of beauty, Divine was the ultimate outsider turned underground royalty. With a completely committed in‐your‐face style, he blurred the line between performer and personality, and revolutionized pop culture. I AM DIVINE is a definitive biographical portrait that charts the legendary icon’s rise to infamy and emotional complexities. NEW ENGLAND PREMIERE
Harris Glenn Milstead, aka Divine (1945-1988) was the ultimate outsider turned underground hero. Spitting in the face of the status quos of body image, gender identity, sexuality, and preconceived notions of beauty, Divine succeeded in becoming an internationally recognized icon, recording artist, and character actor of stage and screen. Glenn went from the often-mocked, schoolyard fat kid to underdog royalty, standing up for millions of gay men and women, drag queens and punk rockers, and countless other socially ostracized misfits and freaks. With a completely committed in-your-face style, he blurred the line between performer and personality, and revolutionized pop culture.
 min total program
SPOTLIGHT
US PREMIERE
WORLD PREMIERE
FROM 2012

Monster Pies

in person
English
Australia
2012
17 year old Mike has always been kind of a outcast, never quite on time, never knowing quite the right thing to say. He’s doing his best just to survive high school. But all that changes when a new kid arrives in his class, William. And when the two of them are immediately thrust together to complete an English class assignment, Mike sees his chance to become closer to the quiet, enigmatic Will. As the two spend more time together under the auspices of making a ‘monster movie’ version of Romeo & Juliet, they begin to realise that their feelings towards one another may be more powerful than they’d anticipated. But like the two main characters in the greatest love story ever told, Mike and Will seem pre‐destined to be kept apart, by their respective dysfunctional families, by their classmates, and by their own sexual confusion. Can their love overcome all obstacles? Or, like the Shakespearian monsters that inhabit their school project, are they fated to spend their existence haunted and alone? A coming‐out and coming‐of‐age drama firmly set in the 1990’s, MONSTER PIES is a snapshot in time, a moving teen romance unafraid to tackle the contradictions and complexities of the male adolescent heart and mind. NORTH AMERICAN PREMIERE
Mike has felt alienated and alone for as long as he can remember, until a new boy arrives at his school - awakening feelings and a world of possibilities he’d never before dared to dream of.
 min total program
SPOTLIGHT
US PREMIERE
WORLD PREMIERE
FROM 2012

Stud Life

in person
English
UK
2012
J, a black lesbian stud with mad swagger and stone butch tendencies, and her best friend Seb, a cute white twink with a penchant for brightly colored nail polish, do everything together. Seb assists JJ when she’s photographing gay and straight weddings, they club together, get high together, and they live together…usually harmoniously, even when JJ catches Seb masturbating in their flat’s kitchen. When JJ meets a beautiful femme named Elle at the local pub, Seb warns her that the seductress is trouble, to no avail: JJ is determined to have her, whether she’s seeing someone else or not. As JJ becomes more and more enamored with Elle and they begin a tumultuous, boundary‐pushing relationship, while Seb is busy lusting after his online conquests while thwarting the advances of a flamboyant drug dealer, their once solid friendship begins to waver. But it turns out that Elle has something to hide that JJ can’t wrap her mind around, and Seb’s manly cyber crush isn’t all that he seems. As urban London’s homophobia affects both of their lives in different ways, JJ and Seb must lean on each other and both are forced to reevaluate their own stereotypes and beliefs on love and life. Description courtesy of Angelique Smith of Frameline Film Festival.
Stud lesbian JJ works with her gay best friend Seb as wedding photographers. When JJ falls in love with a beautiful diva, JJ and Seb’s friendship is tested, and she’s forced to chose between her hot new lover and her best friend.
 min total program
SPOTLIGHT
US PREMIERE
WORLD PREMIERE
FROM 2012

Too Cold Out There Without You

in person
English
USA
2012
When the Rev. Christopher Fike was ordained in the Episcopal Church in 1999, he was a straight, married mother of two adorable children. By 2004 he had completed his transition and now identifies as a man. Chris’s decision to change genders ignited tensions in both his family and in a Church still reeling in the aftermath of its consecration of Bishop V. Gene Robinson, the world’s first openly gay bishop. Too Cold Out There Without You is a post‐transition story that looks beyond the act of transitioning and instead focuses on the transformation that takes place in Chris’s relationships with those closest to him. Chris’s family were confused about what would happen to Sarah, the person they had loved for forty years. Chris’s career in the Church was severely derailed by his transition. Forced to take a leave of absence, Chris found himself angry, unemployed and alienated from an institution he loved. And everybody worried about the impact his transition would have on his kids. Chris’s journey looks at what it takes for people to stay connected and shows how our lives can be better together despite unexpected turns life sometimes takes.
When the Rev. Christopher Fike was ordained in the Episcopal Church he was a straight, married mother of two. Five years later he had completed his transition and now identifies as a man. ‘Too Cold Out There Without You’ is a post-transition story that looks beyond the act of transitioning and instead focuses on the transformations that take place in Chris’s relationships and the church as a result of his transition.
 min total program
SPOTLIGHT
US PREMIERE
WORLD PREMIERE
FROM 2011

Wildness

in person
Spanish and English
USA
2011
WILDNESS is a portrait of the Silver Platter, a historic bar in the MacArthur Park area that has been a thriving part of the Latin/LGBT immigrant communities since 1963. Chronicling what happens to the bar when art student, Chicago transplant and director Wu Tsang falls in love with the bar and sets up a weekly dance/performance art party, it raises the questions of how popular is too popular? What happens when the safe spaces in our community start to go mainstream? Throughout the film we see the bar struggle with success as the clientele start to move away from its Latino working class, immigrant and transgender base towards a more hipster flavored audience that doesn’t always respect the original community and family aspect of the bar. As media outlets start covering the immensely popular party, the new attention on the bar brings increased police surveillance and some of the regular girls of the bar are deported. Inspired by narrative documentaries such as Marlon Riggs’s Tongues Untied and Charles Atlas’s Hail the New Puritan director Wu Tsang decided at that moment to utilize his previous organizing experience and film it. The film shows what can happen when such a precious safe space is threatened by gentrification and its own growing popularity. Full of love, energy, pathos and community, Wildness in essence is the love story between a young, idealistic queer person in search of something and the magical bar that takes him in and helps him grow up.
Rooted in the tropical underground of Los Angeles nightlife, Wildness is a portrait of the Silver Platter, a historic bar that has been home to Latin/LGBT immigrant communities since 1963. With a magical-realist flourish the bar itself becomes a character, narrating what happens when a weekly party (organized by Director Wu Tsang, DJs NGUZUNGUZU, and Total Freedom) called Wildness explodes into creativity and conflict. What does “safe space” mean? Who needs it? And how does it differ among us? At the Silver Platter, the search for answers creates coalitions across generations.
 min total program
SPOTLIGHT
US PREMIERE
WORLD PREMIERE
FROM 2013

Will You Still Love Me Tomorrow

in person
Mandarin
Taiwan
2013
Straitlaced optometrist Weichung is finding the typical married life difficult, as his wife, Feng, unfulfilled by her white‐walled office job and spurred on by her mother, pushes him for a second child. Then he bumps into an old friend from his gay past, setting off an unexpected array of dormant emotions. Meanwhile, his sister Mandy flees her sad sack fiancé San‐San, coping via comfort food and the fantastical appearance of a soap opera star on her couch. Arvin Chen’s sophomore feature is a fresh and playful comedy about the brave fronts put forward in the search for a satisfying family life and job. Whimsy is never far from this story, both through the appropriately sappy soundtrack and several dream‐like touches: not just a soap opera star, but one character whose retirement is symbolized by his magical floating away on an umbrella and a breakout karaoke sequence reinforced by the title Shirelles song. Outstanding performances by Richie Ren and singer Mavis Fan as the central married couple help Chen find a true emotional core, especially in the heartrending moment when Feng realizes the truth about her husband’s dalliances, inspiring a charming look at what happens in a traditional society when you seek a big change.
Introverted Weichung has been married to Feng for nine years. They have one son together, and Feng would like to have another child with him. One day Stephen, an old friend who now organises weddings, appears and encourages Weichung to return to the gay life he had previously. Anxious not to lose his wife, Weichung tentatively begins seeing a flight attendant behind Feng’s back.
 min total program
No items found.

All Short Film Programs

from Boston LGBT Film Festival 2013
No items found.

Screenings & Events

May 2 - 12, 2013

SPOTLIGHT
US PREMIERE
WORLD PREMIERE
FROM 2011
SHORT FILM PROGRAM

Bye Bye Blondie

FREE

Women's Opening Night

Thu, May 02, 2013 @ 8:15 pm
Institute of Contemporary Art
Twelve years after her explosive debut, Baise‐moi, Virginie Despentes is back with the decidedly lighter tale of two middle‐aged women struggling to rekindle their teen‐aged romance after three decades. 40‐ year‐old Gloria (Béatrice Dalle) is still a volatile, art‐punk drifter in the north‐eastern city of Nancy. Frances (Emmanuelle Béart) has settled into a comfortably bourgeois life of marriage (to a gay man) and a career in television. With trouble brewing at work and a husband struggling with writer’s block, however, Frances impetuously summons Gloria to stay with her in Paris, searching for the magic she felt as a rebellious, love‐struck teenager. Youth’s poignant intensity versus middle‐aged nostalgia are evoked in alternating scenes from Gloria and Frances’ young love circa 1984, and the present. With passionate performances by Soko and Clara Ponsot (who play the young Gloria and Frances), a Lydia Lunch cameo and a kickass soundtrack (Siouxsie and the Banshees, Bérurier Noir), this is a film for anybody who has ever wondered about the possibility – or wisdom – of trying to recapture their first big love."
A love story of two women who meet up in their late forties and attempt to retrieve the romance they had in their youth.
Virginie Despentes
87
 min
French
France
 min total program
in person
SPOTLIGHT
US PREMIERE
WORLD PREMIERE
FROM 2012
SHORT FILM PROGRAM

Stud Life

FREE

Fri, May 03, 2013 @ 8:00 pm
Brattle Theater
J, a black lesbian stud with mad swagger and stone butch tendencies, and her best friend Seb, a cute white twink with a penchant for brightly colored nail polish, do everything together. Seb assists JJ when she’s photographing gay and straight weddings, they club together, get high together, and they live together…usually harmoniously, even when JJ catches Seb masturbating in their flat’s kitchen. When JJ meets a beautiful femme named Elle at the local pub, Seb warns her that the seductress is trouble, to no avail: JJ is determined to have her, whether she’s seeing someone else or not. As JJ becomes more and more enamored with Elle and they begin a tumultuous, boundary‐pushing relationship, while Seb is busy lusting after his online conquests while thwarting the advances of a flamboyant drug dealer, their once solid friendship begins to waver. But it turns out that Elle has something to hide that JJ can’t wrap her mind around, and Seb’s manly cyber crush isn’t all that he seems. As urban London’s homophobia affects both of their lives in different ways, JJ and Seb must lean on each other and both are forced to reevaluate their own stereotypes and beliefs on love and life. Description courtesy of Angelique Smith of Frameline Film Festival.
Stud lesbian JJ works with her gay best friend Seb as wedding photographers. When JJ falls in love with a beautiful diva, JJ and Seb’s friendship is tested, and she’s forced to chose between her hot new lover and her best friend.
Campbell X
80
 min
English
UK
 min total program
in person
SPOTLIGHT
US PREMIERE
WORLD PREMIERE
FROM 2013
SHORT FILM PROGRAM

I Am Divine

FREE

Sat, May 04, 2013 @ 7:00 pm
Museum of Fine Arts, Boston
I AM DIVINE is the story of Divine, aka Harris Glenn Milstead, from his humble beginnings as an overweight, teased Baltimore youth to internationally recognized drag superstar through his collaboration with filmmaker John Waters. Spitting in the face of the status quos of body image, gender identity, sexuality, and preconceived notions of beauty, Divine was the ultimate outsider turned underground royalty. With a completely committed in‐your‐face style, he blurred the line between performer and personality, and revolutionized pop culture. I AM DIVINE is a definitive biographical portrait that charts the legendary icon’s rise to infamy and emotional complexities. NEW ENGLAND PREMIERE
Harris Glenn Milstead, aka Divine (1945-1988) was the ultimate outsider turned underground hero. Spitting in the face of the status quos of body image, gender identity, sexuality, and preconceived notions of beauty, Divine succeeded in becoming an internationally recognized icon, recording artist, and character actor of stage and screen. Glenn went from the often-mocked, schoolyard fat kid to underdog royalty, standing up for millions of gay men and women, drag queens and punk rockers, and countless other socially ostracized misfits and freaks. With a completely committed in-your-face style, he blurred the line between performer and personality, and revolutionized pop culture.
Jeffrey Schwarz
90
 min
English
USA
 min total program
Director Jeffrey Schwarz and Mink Stole in person
SPOTLIGHT
US PREMIERE
WORLD PREMIERE
FROM 2011
SHORT FILM PROGRAM

Wildness

FREE

Sun, May 05, 2013 @ 3:00 pm
Institute of Contemporary Art
WILDNESS is a portrait of the Silver Platter, a historic bar in the MacArthur Park area that has been a thriving part of the Latin/LGBT immigrant communities since 1963. Chronicling what happens to the bar when art student, Chicago transplant and director Wu Tsang falls in love with the bar and sets up a weekly dance/performance art party, it raises the questions of how popular is too popular? What happens when the safe spaces in our community start to go mainstream? Throughout the film we see the bar struggle with success as the clientele start to move away from its Latino working class, immigrant and transgender base towards a more hipster flavored audience that doesn’t always respect the original community and family aspect of the bar. As media outlets start covering the immensely popular party, the new attention on the bar brings increased police surveillance and some of the regular girls of the bar are deported. Inspired by narrative documentaries such as Marlon Riggs’s Tongues Untied and Charles Atlas’s Hail the New Puritan director Wu Tsang decided at that moment to utilize his previous organizing experience and film it. The film shows what can happen when such a precious safe space is threatened by gentrification and its own growing popularity. Full of love, energy, pathos and community, Wildness in essence is the love story between a young, idealistic queer person in search of something and the magical bar that takes him in and helps him grow up.
Rooted in the tropical underground of Los Angeles nightlife, Wildness is a portrait of the Silver Platter, a historic bar that has been home to Latin/LGBT immigrant communities since 1963. With a magical-realist flourish the bar itself becomes a character, narrating what happens when a weekly party (organized by Director Wu Tsang, DJs NGUZUNGUZU, and Total Freedom) called Wildness explodes into creativity and conflict. What does “safe space” mean? Who needs it? And how does it differ among us? At the Silver Platter, the search for answers creates coalitions across generations.
Wu Tsang
73
 min
Spanish and English
USA
 min total program
in person
SPOTLIGHT
US PREMIERE
WORLD PREMIERE
FROM 2013
SHORT FILM PROGRAM

Born This Way

FREE

with I've Only Just Begun

Tue, May 07, 2013 @ 8:15 pm
Brattle Theater
Like everywhere else in the world, gays and lesbians in Cameroon seek refuge in the city. The two young gay men in this film are crazy about Rihanna and Lady Gaga, who has been a gay icon since her hit song ‘Born this way’. But the tolerance Lady Gaga sings about is just a dream for them. In their country, homosexual relations are subject to punishment of up to five years in prison, and it is almost impossible to come out to your own family. This film describes both the impossible and the possible. The filmmakers’ unobtrusive proximity to their protagonists has yielded conversations in which their interlocutors discuss their longing for a love life they are forbidden to have. Alice Nkom is a lawyer and human rights activist fighting to protect the rights of gays and lesbians. Thanks to her, there is quiet hope and small niches can be discerned where there is something akin to a life not based upon self‐ denial. After Call me Kuchu, which documented the situation for homosexuals in Uganda and won a Teddy Award in 2012, Born This Way makes it clear that the worldwide struggle for tolerance and equality still has a long way to go. NEW ENGLAND PREMIERE
Born This Way is a portrait of the underground gay and lesbian community in Cameroon. It follows Cedric and Gertrude, two young Cameroonians, as they move between a secret, supportive LGBT community and an outside culture that, though intensely homophobic, is in transition toward greater acceptance.
Shaun Kadlec and Deb Tullmann
82
 min
French and English
USA
 min total program
in person
SPOTLIGHT
US PREMIERE
WORLD PREMIERE
FROM 2011
SHORT FILM PROGRAM

A Map for a Talk

FREE

Thu, May 09, 2013 @ 9:00 pm
Brattle Theater
In Roberta's dream, she is trudging through the streets of Santiago, Chile carrying her bed on her back, having lost everything. In reality, she has a young son; an ex—the boy's father—who still adores her; a girlfriend, Javiera, who operates a “post pornography” website; and among other family members, a mother, Ana, whose disapproval she's come to expect. When she comes out to her mom, the older woman's reaction is predictably negative, which only encourages Roberta to bring her mother and her girlfriend together on a day‐long sailing trip. Trapped together on the open water, the three women have no choice but to talk to one another, even as they discover just how impossible communication sometimes is. Gorgeously shot, briefly erotic, writer/director Constanza Fernández's intimate drama touches on many things, including the challenges of coming out in a repressive society, the politics of sexual representation, and Chile's dark history and the tragic legacy of its “desaparecidos.” Mostly it is about the difficulty of relationships, whether between lovers or parent and child; how easy it is to hear but how hard it is to listen; and how difficult it is to understand and be understood. Roberta opens a Pandora's box with this voyage, as the woman who demands honesty from her lover and her mother finds out how hard it is to be honest, even with herself.
An intimate play evolving around three main characters: an adult woman, her mother and her female lover. Two days in their lives occur in two opposing setting, everyday life in the demanding metropolis of Santiago and a sailboat trip cruising a beautiful bay. The three character remain trapped in a claustrophobic confrontation. The film dialogs with ‘Knife in the water’ from the side of women, an intense character drama with many involuntary humorous scenes. The eternal, never completed quest of seeing and recognizing the other as they are or, at least, as they want to be seen.
Constanza Fernandez
81
 min
Spanish
Chile
 min total program
in person
SPOTLIGHT
US PREMIERE
WORLD PREMIERE
FROM 2012
SHORT FILM PROGRAM

Monster Pies

FREE

Sat, May 11, 2013 @ 6:00 pm
Brattle Theater
17 year old Mike has always been kind of a outcast, never quite on time, never knowing quite the right thing to say. He’s doing his best just to survive high school. But all that changes when a new kid arrives in his class, William. And when the two of them are immediately thrust together to complete an English class assignment, Mike sees his chance to become closer to the quiet, enigmatic Will. As the two spend more time together under the auspices of making a ‘monster movie’ version of Romeo & Juliet, they begin to realise that their feelings towards one another may be more powerful than they’d anticipated. But like the two main characters in the greatest love story ever told, Mike and Will seem pre‐destined to be kept apart, by their respective dysfunctional families, by their classmates, and by their own sexual confusion. Can their love overcome all obstacles? Or, like the Shakespearian monsters that inhabit their school project, are they fated to spend their existence haunted and alone? A coming‐out and coming‐of‐age drama firmly set in the 1990’s, MONSTER PIES is a snapshot in time, a moving teen romance unafraid to tackle the contradictions and complexities of the male adolescent heart and mind. NORTH AMERICAN PREMIERE
Mike has felt alienated and alone for as long as he can remember, until a new boy arrives at his school - awakening feelings and a world of possibilities he’d never before dared to dream of.
Lee Galea
85
 min
English
Australia
 min total program
in person
SPOTLIGHT
US PREMIERE
WORLD PREMIERE
FROM 2012
SHORT FILM PROGRAM

Too Cold Out There Without You

FREE

Sun, May 12, 2013 @ 2:00 pm
Brattle Theater
When the Rev. Christopher Fike was ordained in the Episcopal Church in 1999, he was a straight, married mother of two adorable children. By 2004 he had completed his transition and now identifies as a man. Chris’s decision to change genders ignited tensions in both his family and in a Church still reeling in the aftermath of its consecration of Bishop V. Gene Robinson, the world’s first openly gay bishop. Too Cold Out There Without You is a post‐transition story that looks beyond the act of transitioning and instead focuses on the transformation that takes place in Chris’s relationships with those closest to him. Chris’s family were confused about what would happen to Sarah, the person they had loved for forty years. Chris’s career in the Church was severely derailed by his transition. Forced to take a leave of absence, Chris found himself angry, unemployed and alienated from an institution he loved. And everybody worried about the impact his transition would have on his kids. Chris’s journey looks at what it takes for people to stay connected and shows how our lives can be better together despite unexpected turns life sometimes takes.
When the Rev. Christopher Fike was ordained in the Episcopal Church he was a straight, married mother of two. Five years later he had completed his transition and now identifies as a man. ‘Too Cold Out There Without You’ is a post-transition story that looks beyond the act of transitioning and instead focuses on the transformations that take place in Chris’s relationships and the church as a result of his transition.
Amy Gattie
80
 min
English
USA
 min total program
in person
SPOTLIGHT
US PREMIERE
WORLD PREMIERE
FROM 2013
SHORT FILM PROGRAM

Will You Still Love Me Tomorrow

FREE

Sun, May 12, 2013 @ 4:00 pm
Museum of Fine Arts, Boston
Straitlaced optometrist Weichung is finding the typical married life difficult, as his wife, Feng, unfulfilled by her white‐walled office job and spurred on by her mother, pushes him for a second child. Then he bumps into an old friend from his gay past, setting off an unexpected array of dormant emotions. Meanwhile, his sister Mandy flees her sad sack fiancé San‐San, coping via comfort food and the fantastical appearance of a soap opera star on her couch. Arvin Chen’s sophomore feature is a fresh and playful comedy about the brave fronts put forward in the search for a satisfying family life and job. Whimsy is never far from this story, both through the appropriately sappy soundtrack and several dream‐like touches: not just a soap opera star, but one character whose retirement is symbolized by his magical floating away on an umbrella and a breakout karaoke sequence reinforced by the title Shirelles song. Outstanding performances by Richie Ren and singer Mavis Fan as the central married couple help Chen find a true emotional core, especially in the heartrending moment when Feng realizes the truth about her husband’s dalliances, inspiring a charming look at what happens in a traditional society when you seek a big change.
Introverted Weichung has been married to Feng for nine years. They have one son together, and Feng would like to have another child with him. One day Stephen, an old friend who now organises weddings, appears and encourages Weichung to return to the gay life he had previously. Anxious not to lose his wife, Weichung tentatively begins seeing a flight attendant behind Feng’s back.
Arvin Chen
104
 min
Mandarin
Taiwan
 min total program
in person
Boston LGBT Film Festival 2013

Screenings & Events

May 2 - 12, 2013

No items found.