Danny Lohman is an actor who takes his work a little too seriously. Pip Armstrong is Danny's ex with a trust fund and a knack of finding trouble. Together they enlist the help of a jaded P.I., Jimmy Peppicelli, to break up a crime spree targeting Hollywood's Gay Mafia. It's definitely a queer way to solve a crime.

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Like everywhere else in the world, gays and lesbians in Cameroon seek refuge in the city. The two young gay men in this film are crazy about Rihanna and Lady Gaga, who has been a gay icon since her hit song ‘Born this way’. But the tolerance Lady Gaga sings about is just a dream for them. In their country, homosexual relations are subject to punishment of up to five years in prison, and it is almost impossible to come out to your own family. This film describes both the impossible and the possible. The filmmakers’ unobtrusive proximity to their protagonists has yielded conversations in which their interlocutors discuss their longing for a love life they are forbidden to have. Alice Nkom is a lawyer and human rights activist fighting to protect the rights of gays and lesbians. Thanks to her, there is quiet hope and small niches can be discerned where there is something akin to a life not based upon self‐ denial. After Call me Kuchu, which documented the situation for homosexuals in Uganda and won a Teddy Award in 2012, Born This Way makes it clear that the worldwide struggle for tolerance and equality still has a long way to go. NEW ENGLAND PREMIERE

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On February 12, 2008, in Oxnard, California, eighth‐grade student Brandon McInerney shot his classmate Larry King twice in the back of the head during first period. When Larry died two days later, his murder shocked the nation. Was this a hate crime, one perpetrated by a budding neo‐Nazi whose masculinity was threatened by an effeminate gay kid who may have had a crush on him? Or was there even more to it? Looking beyond all the copious news coverage of this tragic event, Valentine Road tells the story of two victims: the deceased and the murderer. With keen insight, the film connects the human wreckage of Larry’s and Brandon’s troubled lives—both physically abused, both from broken homes, and both searching for a sense of belonging. Filmmaker Marta Cunningham puts a human face on a critical issue challenging communities everywhere. Namely, how do we help kids like Brandon and Larry before tragedy happens? Haunting, infuriating, and powerful, Valentine Road shakes us to our core as it calls to question our very notion of justice.

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