Behind the facade of a beautiful urban home, a combination of complacency and bad investments has left power couple Ben and Gail disconnected, resentful and just about broke. When the cash‐strapped yuppies fire their teen‐aged daughter's lesbian Mexican nanny, Margarita, they set off a chain of events that lead to her deportation.

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Straitlaced optometrist Weichung is finding the typical married life difficult, as his wife, Feng, unfulfilled by her white‐walled office job and spurred on by her mother, pushes him for a second child. Then he bumps into an old friend from his gay past, setting off an unexpected array of dormant emotions. Meanwhile, his sister Mandy flees her sad sack fiancé San‐San, coping via comfort food and the fantastical appearance of a soap opera star on her couch. Arvin Chen’s sophomore feature is a fresh and playful comedy about the brave fronts put forward in the search for a satisfying family life and job. Whimsy is never far from this story, both through the appropriately sappy soundtrack and several dream‐like touches: not just a soap opera star, but one character whose retirement is symbolized by his magical floating away on an umbrella and a breakout karaoke sequence reinforced by the title Shirelles song. Outstanding performances by Richie Ren and singer Mavis Fan as the central married couple help Chen find a true emotional core, especially in the heartrending moment when Feng realizes the truth about her husband’s dalliances, inspiring a charming look at what happens in a traditional society when you seek a big change.

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A Gen Y love story presented as a fetish sex drama, submerge explores the need of Gen Y for constant stimulation and instant gratification underpinned by a sense of entitlement. It pushes young adults to believe they can have it all, despite a plethora of competing demands from social media, family, and peers.

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