WILDNESS is a portrait of the Silver Platter, a historic bar in the MacArthur Park area that has been a thriving part of the Latin/LGBT immigrant communities since 1963. Chronicling what happens to the bar when art student, Chicago transplant and director Wu Tsang falls in love with the bar and sets up a weekly dance/performance art party, it raises the questions of how popular is too popular? What happens when the safe spaces in our community start to go mainstream? Throughout the film we see the bar struggle with success as the clientele start to move away from its Latino working class, immigrant and transgender base towards a more hipster flavored audience that doesn’t always respect the original community and family aspect of the bar. As media outlets start covering the immensely popular party, the new attention on the bar brings increased police surveillance and some of the regular girls of the bar are deported. Inspired by narrative documentaries such as Marlon Riggs’s Tongues Untied and Charles Atlas’s Hail the New Puritan director Wu Tsang decided at that moment to utilize his previous organizing experience and film it. The film shows what can happen when such a precious safe space is threatened by gentrification and its own growing popularity. Full of love, energy, pathos and community, Wildness in essence is the love story between a young, idealistic queer person in search of something and the magical bar that takes him in and helps him grow up.

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On February 12, 2008, in Oxnard, California, eighth‐grade student Brandon McInerney shot his classmate Larry King twice in the back of the head during first period. When Larry died two days later, his murder shocked the nation. Was this a hate crime, one perpetrated by a budding neo‐Nazi whose masculinity was threatened by an effeminate gay kid who may have had a crush on him? Or was there even more to it? Looking beyond all the copious news coverage of this tragic event, Valentine Road tells the story of two victims: the deceased and the murderer. With keen insight, the film connects the human wreckage of Larry’s and Brandon’s troubled lives—both physically abused, both from broken homes, and both searching for a sense of belonging. Filmmaker Marta Cunningham puts a human face on a critical issue challenging communities everywhere. Namely, how do we help kids like Brandon and Larry before tragedy happens? Haunting, infuriating, and powerful, Valentine Road shakes us to our core as it calls to question our very notion of justice.

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