THE YEAR WE THOUGHT ABOUT LOVE goes behind the scenes of one of the oldest queer youth theaters in America, with our camera crew slipping into classrooms, kitchens, subways, and rehearsal rooms with this fearless and endearing troupe. Boston-based True Colors OUT Youth Theater transforms daily struggles into performance for social change. With wit, candor, and attitude, our cast of characters captivates audiences surprised to hear such stories in school settings. Our film introduces a transgender teenager kicked out of her house, a devout Christian challenging his church’s homophobia, and a girl who prefers to wear boys’ clothing even as she models dresses on the runway. When bombs explode outside their building, the troupe becomes even more determined to share their stories of love to help heal their city.

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If you’ve ever found yourself on the outside looking in, then you are probably familiar with the coping strategy of acquiring the identity of a movie character in order to gain legibility within the situation. The central character of Jenni Olson’s mesmerizing essay film is a gender dysphoric, Midwestern tomboy who is drawn to borrowing masculine personas from Hollywood characters as a mode of understanding how to deal with being drawn to unavailable women. A fascinating and unlikely reinvention story, The Royal Road simultaneously explores cinematic spiritual channeling, the conquest and colonization of Mexico and the American Southwest, fading historical Californian urban landscapes, and the passions found in butch identity to achieve an achingly beautiful and poetic defense of remembering. Probing roads from El Camino Real, to the Boulevard of Broken Dreams, to the road right outside the front door, Olson crafts a deeply intelligent and transcending observation of the human condition that reaches for redemption in the embrace of history, nostalgia, mindfulness, and sheer beauty. If you give yourself over to it, it will crack you wide open.

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