From the acclaimed director of Married Life and Forty Shades of Blue comes a haunting, subtle tale of a contemporary gay relationship. Debuting at Sundance and winning the Teddy Award at the 2012 Berlinale, Keep the Lights On is a visually stunning film that “breaks new ground in contemporary American gay cinema” (The Hollywood Reporter). The deeply personal story charts the highs and lows of an emotionally and sexually charged relationship between two men. It’s 1997 and New York City is in a state of intense flux when documentary filmmaker Erik Rothman (Thure Lindhardt) first meets Paul Lucy (Zachary Booth), a handsome but closeted lawyer in the publishing field. What begins as a highly charged first encounter soon becomes something much more, and a relationship quickly develops. Told over the course of ten years, this is a film about sex, friendship, intimacy and most of all, love.

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We begin our run at the coolidge-corner-theater with two midnight screenings of John Cameron Mitchell’s acclaimed film Hedwig and the Angry Inch which tells the story of an ‘internationally ignored’ rock singer, Hedwig, and her search for stardom and love. Born a boy named Hansel who searches for love, Hedwig reluctantly submits to a sex change operation in order to marry an American G.I. The operation is botched, leaving her with an ‘angry inch’. Finding herself divorced in a Kansas trailer park, she forms a rock band and encounters a lover, Tommy, who leaves her, steals her songs, and becomes a rock star. Touring with her pan-Slavic band, The Angry Inch, Hedwig shadows Tommy’s stadium tour, performing in near-empty restaurants for bewildered diners and a few die-hard fans. Somewhere between the crab cakes and the cramped motel rooms, between the anguish and the acid-wash, she pursues her dreams and discovers the origin of love.

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Mosquita y Mari is a coming of age story that focuses on a tender love between two young Chicanas growing up in Huntington Park, Los Angeles. Growing up in immigrant households, both girls are expected to prioritize the well-being of their families. Yolanda, an only child, delivers straight A’s and the hope of the American Dream while Mari, the eldest, shares economic responsibilities with her undocumented mother who scrambles to make ends meet. When Mari moves in across the street from Yolanda, a friendship develops. As their friendship grows, a yearning to explore their strange yet beautiful connection surfaces.

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