US PREMIERE

SHORT FILM PROGRAM

WORLD PREMIERE

FESTIVAL SPOTLIGHT

THROWBACK FROM 

Wicked Queer 33

Women's Short Films

With in person.
Sat, Apr 01 @ 7:30 pm
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Director
Year
Run Time
min
Country
Language
PROGRAM Time
minutes
CONTENT WARNING:
This film is presented in with English subtitles.
Join us for a selection of women's short films!
Wicked Queer is proud to co-present this program with
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This short film program includes the following films:

Dusk

CONTENT WARNING:
Growing up in 1950s England in an intolerant and uninformed world, young Chris Winters struggles to fit into the gender roles dictated by wider society. A more than tough childhood left behind, Chris meets dream woman Julie, and life lightens a little, but the growing feeling that theirs is a life half lived haunts Chris. Endlessly imagining what might have been, Chris is finally struck by the realisation that for some decisions there is no right answer, and that it's those that truly define us. Dir. Jake Graf. 15 min. United Kingdom. 2017.
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we are all made of stars

CONTENT WARNING:
From the comical, non-violent, slightly erotic to the downright inexplicable, a short film about bruises. Dir. Eduardo Menz. 6 min. Canada. 2016.
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Buzzcut

CONTENT WARNING:
Jane is out to get a buzzcut and ends up dealing with apocalyptic matters of a special kind while trying to fix the haircut her barber botched so that she can get laid before she dies. Dir. Mike Marrero, Jon Rhoads. 9 min. USA. 2016.
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Still Devout

CONTENT WARNING:
STILL DEVOUT follows 24 year old Ceci who embarks on a journey to grant her mother’s wish—to find healing in a church for Ceci’s brother suffering with severe mental illness. After Ceci's brother has a severe psychotic episode, Ceci is determined to gain peace in the family. A family driven by faith, love and desperation struggle as their clashing values and identities complicate the trip. Dir. Melissa Perez. 20 min. USA. 2016.
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Handsome Girl

CONTENT WARNING:
Sex. Love. Travel. Music. A story in the age of Snapchats and Tinder swipes. Two friends travel from Los Angeles to Berlin to launch their new musical project, Handsome Girl. In Berlin, anything can happen and usually does, but will their friendship survive? Dir. Matthew F. Smith. 14 min. USA. 2016.
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Pool

CONTENT WARNING:
Claudia decides to investigate her grandmother's past, who recently passed away. Through a letter, she comes to Marlene, an old German lady who lives in Brazil and keeps her memories inside a pool without water. During the visit, the old lady reveals details of her life that intersect with Claudia's grandmother's past, a German fugitive of the 2nd World War. Dir. Leandro Goddinho. 20 min. Brazil. 2016.
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Cake

CONTENT WARNING:
Eliza, a bisexual woman, tries to explore her sexuality within her marriage with her husband Thomas by surprise ordering a seemingly human female sex robot. But the sex robot is not the cure-all she had hoped for. Be careful what you wish for. Dir. Ann Hu. 10 min. USA. 2016.
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Balcony

CONTENT WARNING:
In a neighbourhood rife with racial tension, a local girl falls for a recent arrival. Dir. Toby Fell-Holden. 17 min. United Kingdom. 2016.
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Spunkle

CONTENT WARNING:
A brother contemplates fatherhood when his older sister and her free-spirited wife ask him to be their sperm donor. Dir. Lisa Donato. 11 min. USA. 2016.
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This screening is proudly co-presented by [The Scandinavian Cultural Center](http://scandicenter.org).
The years-long friendship between two pre-teen boys in a small Icelandic village is threatened when they strike up romantic relationships with a pair of local girls, in the affecting and beautifully crafted debut feature from Gudmundur Arnar Gudmundsson. In a small village in rural Iceland, Thor and Christian are best friends whose home lives are unsatisfactory, to say the least. Thor is ruthlessly mocked by his elder sisters, while his mother can't be bothered to hide her frustration at having to sacrifice her pleasure for the sake of her children. While Thor suffers from absentee parenting, Christian's drunken and abusive father is, unfortunately for him, all too present. When the two friends strike up romantic relationships with a pair of girls, the events that follow threaten to destroy the longest and most meaningful relationship either has ever had. Evincing a real feeling for how kids relate to one another, Heartstone also offers a powerful portrait of the limits of small-town life. While Thor and Christian's relationship takes centre stage, Guðmundsson also skillfully integrates a wide range of supporting characters (from a possibly psychotic local bully to the seedy clerk at the local diner/ bar, whose crass insensitivity reaches epic levels) and casts a cold eye on the boys' parents, whose privation and boredom have left them ill-equipped to fulfill their roles as protectors and nurturers. Well-crafted and very affecting, Heartstone is the finest debut by an Icelandic director since Rúnar Rúnarsson's Volcano. Desc. courtesy of the Toronto International Film Festival.
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A music-mad 16-year-old outcast at rugby-mad boarding school forms an unlikely friendship with his dashing new roommate, in this funny and observant coming-of-age tale from Irish novelist and filmmaker John Butler. This tender look at the travails of teenage life is the story of the worst thing Ned (Fionn O'Shea) ever did. It's also the story of the best thing that ever happened to Ned. With his dyed hair, willowy build, and penchant for sexually ambivalent pop and rock from generations past, 16-year-old Ned has never fit in at the rugby-mad boarding school his father insists he attend. Determined to simply keep his nose down and weather another year of loneliness and bullying, Ned is pleasantly surprised when he develops a friendship with his dashing new roommate, Conor (Nicholas Galitzine), a rugby virtuoso with issues of his own. The boys bond over music and start to practice guitar together. At the encouragement of their English teacher (Andrew Scott), Ned and Conor enter a talent show at a local girls' school. As both talent show and rugby season loom, however, the pressure on Conor to choose between manly athletic discipline and more artistic pursuits threatens to tear him apart — while Ned is increasingly tempted to betray Conor's trust in order to save his own skin. This funny, observant coming-of-age film from Irish novelist and filmmaker John Butler — whose feature debut, The Stag, screened at the Festival in 2013 — reminds us that bravery and loyalty are not innate traits. They're qualities we earn under pressure. Ned and Conor both make mistakes, but in the end, what truly matters is that each learns to speak in his own voice. Desc. courtesy of the Toronto International Film Festival.
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